On BBC’s The Silver Chair (Narnia)

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I’ve had the complete VCD collection of the BBC adaptation of The Chronicles of Narnia for three years now. Someone gave it to me for Christmas during our department’s exchange gift, but I only attempted to watch it once. I started with The Lion, the Witch and the Wardrobe, but I had to give up after only a few minutes. I was instantly creeped out by the talking beasts – which were people wearing animal costumes, quite unlike the realistic computer-generated animations of the Disney-Walden Media version. Of course, this is quite understandable, since the technology twenty years ago cannot be compared to the technology available today. From what I hear, the BBC adaptation was actually the best in its time. Anyway, I’ve always planned on getting down to the series and watching the entire thing just for the sake of saying that I’ve seen it, but I never got around to it until tonight.

Following the suggestion of my friends at the TLC forum (TLC stands for The Lion’s Call, one of my favorite websites), I now started with The Silver Chair, which they said was the best (being released last in the series – that is, in 1990). Now, The Silver Chair is my favorite book in the Chronicles, and Puddleglum is my favorite character in the entire world, so I was really curious to see it. Besides, the actor playing Puddleglum (Tom Baker) was getting rave reviews in all the Narnia forums I’ve been.

So now that I’ve seen it, what can I say? Minus the distracting special effects, the dreary costumes (especially of the Underlanders) and the scary-looking puppet Aslan, I must say I really liked it!

COMMENTS ON THE CAST

David Thwaites as EUSTACE SCRUBB looked too young and was too short, and he was not irritating enough. Even during his post-dragon period, Eustace still had his moments. But I could live with that, the actor was good enough.

Camilla Power as JILL POLE was amazing. She was pretty and smart and even sassy at times. She was everything I hoped Jill would be.

Tom Baker as PUDDLEGLUM was fantastic! I’ve always imagined Puddleglum to be very, very thin and tall, but what was important is that he captured the Puddleglumy spirit. He was rather funny without trying, his facial expressions were properly gloomy, and he delivered my favorite lines with all the ghastly cheerfulness of a marshwiggle.

Barbara Kellerman as THE LADY OF THE GREEN KIRTLE was a bit too theatrical and overly dramatic for my taste, which is why she couldn’t quite pull of the eerily calm demeanor of the Emerald Witch. But she did trill her R’s nicely.

Richard Henders as PRINCE RILIAN didn’t quite capture the silly spirit from the book during his enchantment, and he was quite theatrical as well especially in the silver chair scene. I also found him weird-looking with a beard. He reminds me of a cartoon character but I can’t remember who.

Ronald Pickup as the voice of ASLAN was a bit too sleepy and slow and unimpressive, but that may be because I’m comparing him to Liam Neeson’s version.

Warwick Davis (who played NIKABRIK in Disney-Walden’s version of Prince Caspian) as GLIMFEATHER got all the tu-who’s right in my opinion.

Big Mick as the hard-of-hearing TRUMPKIN was hilarious, although he had only a short role.

COMMENTS ON THE SCRIPT

I must say that I’m very impressed at how faithful this adaptation was to the book, and how closely the plot and script followed the text. I also particularly like the numerous direct quotes, which the actors were thankfully able to say without sounding weird or unnatural. I’d say the following were relatively the biggest changes, which were all quite minor and understandable:

1) Rilian was wearing a mask when they met him in the Underworld. He had to have a mask so that the viewers won’t connect the dots too soon since they already showed what the prince looks like when Aslan was giving the signs to Jill.

2) The Lady of the Green Kirtle did not use a mandolin-like instrument which she thrummed to complete her enchantment. Instead, there was this weird greenish spray from her fingers.

3) The side-story of the Land of Bism wasn’t dealt with, which was okay because it could deflect from the plot.

4) The children called each other a couple of times by their first names (Eustace and Jill). In the book, they always used their last names (Scrubb and Pole) except for the part where they said goodbye, thinking that they were going to their deaths.

MEMORABLE QUOTES

The following quote was not said by Puddleglum in its entirety in the movie, but since this is my favorite quote in the book, I’m putting it here:

“One word. All you’ve been saying is quite right, I shouldn’t wonder. I’m a chap who always liked to know the worst and then put the best face I can on it. So I won’t deny any of what you said. But there’s one thing more to be said, even so. Suppose we have only dreamed, or made up, all those things – trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that’s a funny thing, when you come to think of it. We’re just babies making up a game, if you’re right. But four babies playing a game can make a play-world which licks your real world hollow. That’s why I’m going to stand by the play-world. I’m on Aslan’s side even if there isn’t any Aslan to lead it. I’m going to live as like a Narnian as I can even if there isn’t any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we’re leaving your court at once and setting out in the dark to spend our lives looking for overland. Not that our lives will be very long, I should think; but that’s a small loss if the world’s as dull a place as you say.”

After a speech like that, I’ll have to agree with Prince Rilian: “The blessing of Aslan upon this honest marshwiggle!”

In the book, the following quote was actually given by Aslan to Edmund and Lucy towards the end of The Voyage of the Dawn Treader, when Lucy told him that it was him they miss when they return to our world. However, since Aslan said it towards the end of BBC’s version of The Silver Chair, I’m putting it here as well:

“There I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.”

OTHER COMMENTS

I don’t even want to begin talking about the costumes of the Underworld gnomes, which reminds me of the Michelin character that looks like an obese mummy. I’m sure that with their limited budget, that was all they could come up with.

After seeing The Silver Chair, I’ve now decided to watch all the others in the series. It’s funny to be watching the BBC version twenty years after they were made, but I now think that this is a must-see for all hardcore Narnia fans. So thanks BBC for bringing Narnia to life!

2 thoughts on “On BBC’s The Silver Chair (Narnia)

  1. I have loved the BBC Narnia films ever since my father got LWW when I was about eight years old. They were my favorite movies, and I remember Emma (my younger sister) and I would go out of the room when Aslan was being killed, since we didn’t know that it was not actually shown. Even after watching the new movies, BBC still holds a certain charm for me, and the children are very likeable (especially Peter). I really like the talking animals (weren’t they supposed to be bigger than ones in our world anyways?) better than those in the disney movies, who seem, oh, I don’t know, like they’re making jokes all the time, and they aren’t the grave, yet loveable creatures which I’ve always imagined them to be. They are treated too much like silly children in Adamson’s movies, and Trufflehunter, if I’m remembering correctly, has no lines about believing in and waiting on Aslan. The one thing in the whole thing that I simply hated was Rillian’s long, girlish hair, which was worse than Ben Johnson’s.

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